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How does the process of film-making—like weaving a carpet, a of a 250 years saga of the Hungarian von Höfler family—render the chosen subject topical, re-liveable? And what is the topical signifier, is it merely a fleeting (a momentary) décollage — which is neither a piece of news, nor official history? And what does the glance at (the films, stories) from the past of my protag...
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